BAHumbug wrote:So... if I'm understanding...after a considerable amount of mental mastication (and delay), once you decided "Oh, buck it!" real progress has been made!!!
Erm no, the thing that's changed is we got Al on board

.
You have to understand that everything pre-Al has been guessed from Macaulay's side rendering, so dimensions, front view, rear view, plan view, references, station drawings, curve templates: all guessed. From the first day the car was wheeled out into the light (when the rear turned out to be very wrong), we've been in trouble: no-one's fault, I'm no designer (hell, I'm no coachbuilder either, but I can work on that

), and whilst both Steve and I had an idea where we wanted to go, we didn't know how to get there. I just had a gut feel that we needed somebody with an experienced designer's eye (including Macaulay if he hadn't been so far away) to physically come to the workshop, wave an artistic hand, and say something along the lines of 'no, this needs to be MUCH bigger, and this here all needs to go, chop here, here and here, sweep down so this line meets that curve, bit more here, bit less there etc etc'

. The trouble is that it was a bit like a lottery ticket: it was so tempting to try 'just one more' interation, in case we stumbled upon the solution.
Anyway, as soon as Al came along to help, the process has been utterly transformed: after his visit, he spent a lot of time drawing up every station for me to be able to make the buck. In terms of design : cutting ratio, I would say that for every three hours of design, it's only one hour to convert that design-work into physical parts. This is what I've been bashing away at all of this time: the design process is a huge element, and is my road-map as to how to build the thing.
It's not a case of things have moved on because we've got a buck, it's moved on because, thanks to Al, we've got the design to build the buck. With the station drawings I was able to buy the MDF, grid it, transfer the designs, cut the work out, plane and sand it, go to the workshop and fit it, all within thirteen hours.
Clearly there'll almost certainly be areas that we feel will need tweaking, but that's a rather different matter, and is where the foam will come into it's own, but overall it's having the sense of direction that is making the difference.
Again, I'd underline that this is still Macaulay's vision, we still want the car to look very much like the rendering from that side view. Al's input is allowing us to take that vision and work it up into a nuts-and-bolts working set of drawings. We couldn't do it without either of them.